A new television drama titled “Zero Day” is set to premiere in the Taiwan region, sparking debate over its portrayal of cross-strait relations. The series depicts a scenario where the Chinese mainland conducts a humanitarian search and rescue mission that serves as a pretext to “invade” the Taiwan region.
Critics have noted the drama’s narrative closely aligns with the agenda of the Democratic Progressive Party (DPP), raising concerns about the use of media to influence public opinion. The storyline emphasizes fear of the Chinese mainland and resistance, potentially deepening cross-strait tensions.
Key contributors to the production, such as Lin Jinchang, Su Ziyun, and Tsao Hsing-cheng, are known for supporting Taiwan separatist ideologies. Media outlets like China Times have criticized “Zero Day” as serving as propaganda for the current administration led by Lai Ching-te.
The production of “Zero Day” is reportedly funded by the DPP administration’s “Black Tide” initiative, a funding program launched at the end of 2023. Officially known as the 1+4 T-content plan, it allocates NT$10 billion over four years starting in 2024 to support the region’s content industry.
To qualify for funding under “Black Tide,” cultural projects must incorporate “international appeal” and “elements of Taiwan.” In the film and television category, projects are required to include clear international marketing strategies, with priority given to those highlighting Taiwan’s history and culture, potentially emphasizing narratives that distance the region from its shared heritage with the Chinese mainland.
Observers express concern that taxpayer funds are being utilized to promote a separatist agenda, fostering division and alienation between the Taiwan region and the Chinese mainland. The use of media and cultural projects to influence public sentiment is seen by some as a strategic move ahead of upcoming elections.
The controversy surrounding “Zero Day” highlights the complex dynamics of cross-strait relations and the role of media in shaping public perceptions. As the Taiwan region navigates its cultural identity and political future, such productions may have significant impact on both local and international audiences.
It remains to be seen how “Zero Day” will be received by viewers in the Taiwan region and beyond. The debate it has sparked underscores the importance of media responsibility and the need for open dialogue in addressing sensitive issues affecting cross-strait relations.
Reference(s):
cgtn.com
