In the heart of southwest China’s Xizang Autonomous Region, the majestic Jokhang Temple in Lhasa houses a mural that brings to life an ancient legend. The mural vividly depicts Princess Wencheng’s arrival in Xizang over 1,400 years ago, a journey that has become a cornerstone of Chinese cultural heritage.
Princess Wencheng, a noblewoman from the Tang Dynasty (618-907), embarked on an arduous journey from Chang’an—present-day Xi’an—to the west. Her marriage to King Songtsen Gampo was more than a union of two individuals; it symbolized the merging of two great cultures and the strengthening of ties between the Tang Dynasty and Xizang.
The legend tells of a mystical “sun-and-moon mirror” carried by the princess. As she traversed the rugged landscapes, the mirror accidentally slipped from her hands. The shattered fragments fell upon two hills, imbuing them with a sacred aura. These hills came to be known as Riyue Mountain, or Sun-and-Moon Mountain, marking a significant landmark where the Loess Plateau meets the Qinghai-Xizang Plateau.
Riyue Mountain stands as more than just a geographical boundary; it symbolizes the convergence of China’s agricultural and nomadic civilizations. The mountain has witnessed the intermingling of diverse cultures, traditions, and histories that have shaped the region over centuries.
Today, visitors and cultural enthusiasts continue to be drawn to this storied location, exploring the rich tapestry of legends and historical events that have defined the area. The tale of Princess Wencheng and the Sun-and-Moon Mountain remains a testament to the enduring bonds forged through cultural exchange and mutual respect.
Reference(s):
cgtn.com