In a Beijing studio, master ceramicist Guo Aihe breathes new life into ancient Tang Dynasty traditions as her brush transforms blank ceramic plates into vibrant Sancai-glazed horses. The tri-colored glaze technique, dating back over 1,300 years, now carries contemporary significance as artists and communities worldwide prepare for the 2026 Lunar Year of the Horse.
"Each stroke connects us to our ancestors' artistic vision," Guo explains while demonstrating the intricate layering of lead-based glazes that create Sancai's characteristic amber, green, and cream flows. This year's resurgence in traditional ceramic arts coincides with cultural institutions launching the 'All Things Horses' global challenge, inviting artists and enthusiasts to reinterpret equine symbolism through digital and physical mediums.
The movement has gained traction among Asian diaspora communities seeking tangible connections to their heritage, while market analysts note increased interest in traditional Asian art forms from international collectors. Academics highlight the timing as particularly significant, with 2026 marking both the Year of the Horse and renewed efforts to preserve intangible cultural heritage across Asia.
