In the heart of China's porcelain capital, Iraqi artist Waleed R. Qaisi is redefining what it means to bridge eras. Jingdezhen – a city synonymous with ceramic mastery for over 1,700 years – now pulses with 3D printers humming alongside master potters' wheels, a fusion Qaisi calls "a dance between binary code and ancestral wisdom."
During his residency, Qaisi observed how AI-assisted design systems collaborate with artisans preserving Ming Dynasty glazing techniques. "The precision of laser kiln temperature control elevates, but never replaces, the human touch in brushwork," he noted. This synergy has attracted global designers, with 38% of Jingdezhen's ceramic exports now incorporating smart manufacturing elements.
For business analysts, the city's $7.8 billion ceramic industry offers a case study in heritage modernization. Cultural explorers will find workshops where augmented reality guides visitors through celadon pottery history. As diaspora communities reconnect with this legacy, Qaisi's work – blending Arabic calligraphy motifs with algorithmic patterns – symbolizes Asia's evolving cross-cultural dialogues.
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Iraqi artist finds high-tech and aesthetics in Jingdezhen's traditions
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