In the heart of Quanzhou’s historic Kaiyuan Temple, a simple upward glance reveals a world where architecture and music entwine seamlessly. The towering beams and frames of the main hall are adorned with exquisite woodcarvings of flying Apsaras, celestial beings known locally as “Miaoyin birds.”
These ethereal figures, carved with meticulous detail, are depicted holding traditional Nanyin musical instruments such as the pipa and erxian. Nanyin, often referred to as the “living fossil of Chinese music,” is a musical tradition that has echoed through the halls of Fujian province for over a millennium.
The woodcarvings serve a dual purpose; they are not merely decorative but also provide structural support to the ancient temple’s architecture. Each carving tells a story of cultural heritage, preserving the melodies and artistry of a bygone era.
The harmonious blend of functionality and aesthetics in these carvings underscores the rich cultural tapestry of Quanzhou. Visitors from around the world find themselves captivated by this unique intersection of art, music, and architecture, experiencing firsthand the enduring legacy of Nanyin music within the sacred spaces of Kaiyuan Temple.
Reference(s):
cgtn.com
