An exquisite display of Chinese ink paintings by French philosopher Benoît Vermander is captivating audiences at Fudan University in Shanghai’s Yangpu District. The exhibition features over 60 of Vermander’s works, showcasing a decade-long exploration of the fluidity of existence through the medium of ink.
Vermander, who has resided in Shanghai for the past 15 years, draws inspiration from both Eastern and Western artistic traditions. Influenced by renowned French artists like Paul Cezanne and Henri Matisse, he seamlessly integrates elements of Chinese ink painting into his art. His pieces evoke the dynamic ebb and flow of life, reminiscent of ocean waves and desert expanses.
His journey into Chinese art began during his initial visit to China in 1987. The profound experiences he had in Taiwan and Sichuan in the 1990s deepened his understanding of Chinese painting techniques, laying the foundation for his unique style. “China gave me the courage to pursue painting,” Vermander reflects. His exploration of calligraphy ignited a passion for visual expression that continues to evolve.
Visitors to the exhibition can witness the harmonious fusion of Eastern and Western aesthetics. Vermander’s landscapes, adorned with traditional features like water and mountains, offer a deep appreciation for Chinese culture. Interwoven with these elements are distinct Western motifs—birds and monochromatic elephants—imbued with contemporary design sensibilities.
The exhibition at Fudan University not only celebrates the convergence of cultures but also invites dialogue on the universality of artistic expression. It stands as a testament to Vermander’s belief in bridging worlds through art, resonating with a diverse audience seeking connection between Asia and the wider world.
Reference(s):
cgtn.com
