In the heart of Fujian Province, a cradle of Chinese craftsmanship for over a millennium, young artisans are redefining an ancient art form. Lacquerware, known locally as daqi, has been cherished since antiquity for its luminous finish and meticulous production process. Now, a new generation is blending centuries-old techniques with contemporary aesthetics to revive this cultural treasure.
At a bustling art space in Fuzhou, 28-year-old craftsperson Lin Wei demonstrates how she layers raw lacquer – a natural resin harvested from Toxicodendron vernicifluum trees – onto a carved wooden base. 'Lacquerware isn’t just a craft; it’s a conversation between generations,' she says, polishing a vibrant jewelry box featuring traditional floral motifs alongside geometric patterns. 'We honor the 72-step process our ancestors perfected, but speak through modern designs that resonate globally.'
Fujian’s lacquer art studios report increasing interest from international collectors and luxury brands, with export volumes growing 18% year-over-year. The trend reflects a broader resurgence in Asian heritage crafts, as consumers seek sustainable alternatives to mass-produced goods.
"Our challenge is maintaining authenticity while innovating," explains Zhang Qiang, whose family has crafted lacquer furniture since the Qing Dynasty. "Through workshops and digital collaborations, we’re showing this isn’t frozen history – it’s living culture."
As twilight falls over Fuzhou’s historic lacquerware district, the hum of electric pottery wheels mingles with the scrape of traditional carving knives – a symphony of old and new ensuring Fujian’s luminous legacy endures.
