As the Wuzhen Theatre Festival celebrates its 11th year, renowned Chinese director Tian Qinxin reflects on the event’s evolution and shares her vision for China’s theatre industry. Tian, who has been part of the festival since its inception, also serves as president of the National Theatre of China.
A Place Where Dreams Rise
“Like all the artists and audience members who come to the Wuzhen Theatre Festival, I am grateful for participating in it for the past 11 years,” Tian shares. “This is a place where dreams rise, and people’s pioneering efforts leave behind beautiful memories.”
Tian emphasizes the unique atmosphere of the festival, encouraging art lovers from across the country to experience Wuzhen. “In such a festive atmosphere, you can watch and discuss plays, and enjoy a relaxing and good time,” she says.
The Growth of China’s Theatre Industry
Reflecting on the broader theatre landscape in China, Tian notes a surge in young people’s interest in the arts, particularly drama. “There are more and more young people in China who love art, especially drama,” she observes. “Artists like Wu Bi and Liu Xiaoyi, who participated in the show ‘Theatre for Living,’ allow a wider audience a glimpse of theatrical life, which reflects how this industry is gradually prospering.”
Tian discusses the importance of artistic expression during China’s rapid development. She recently spoke with world-famous Japanese director Tadashi Suzuki, who expressed interest in how Chinese artists would convey their perspectives. “I hope to shape the aesthetics of Chinese drama through our efforts, so that it can be spread globally and bring Chinese drama to a wider audience,” Tian affirms.
Bringing Chinese Culture to the World
Tian highlights China’s rich cultural heritage as a foundation for its theatrical productions. “China is an ancient country with a splendid civilization,” she says. “Whether it’s the classics of literature, from pre-Qin Opera to the Baixi Opera of the Han Dynasty, the Canjun Opera of the Tang Dynasty, the Yuanben of the Song and Jin dynasties, the Zaju of the Yuan Dynasty, Kun Opera or Peking Opera—they are all outstanding.”
She believes there are many classics waiting to be performed and shared with global audiences. “We not only aim to let the world know about Chinese drama but also to show that we are a country with a long and splendid civilization,” Tian explains. “We let the world see the beauty and charm of the Chinese language through the subtitles of our poetry and songs. I think this is the direction we should work towards.”
Wuzhen Theatre Festival: A Window to the World
When asked about what sets the Wuzhen Theatre Festival apart from international arts festivals like Avignon, Edinburgh, and Berlin, Tian speaks passionately about its role in showcasing China. “Through everyone’s efforts, the Wuzhen Theatre Festival can let the world see China. It is a window to the world,” she asserts.
Tian recalls participating in festivals like the Edinburgh Art Festival, where the saying “art can change life” resonated deeply. “I think it’s very applicable to Wuzhen,” she says. “Let art change life in a way that becomes the new norm and makes China more beautiful.”
Reference(s):
cgtn.com
