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Octogenarian Master Revives Dongyang Bamboo Weaving in the Forbidden City

In the quiet town of Dongyang, nestled within China’s Zhejiang province, a remarkable story of dedication and artistry unfolds. For over sixty years, He Fuli has devoted his life to the intricate craft of Dongyang Bamboo Weaving, an intangible cultural heritage that weaves together tradition, history, and exquisite skill.

Born into a family of craftsmen, He began his journey as a young apprentice fascinated by the delicate interplay of bamboo strands. Over the decades, his hands transformed from those of a novice to a master, weaving patterns that tell stories of ancient China. His relentless pursuit of perfection not only honed his abilities but also preserved a fading art form for future generations.

In 2004, at an age when many might consider resting, He embraced the greatest challenge of his career. The Forbidden City, a symbol of China’s imperial past, housed the Juanqinzhai—a chamber adorned with bamboo masterpieces that had suffered the toll of time. The intricate bamboo marquetry and the elusive Fanhuang bamboo carving techniques required restoration by a hand both skilled and reverent to tradition.

He stepped forward, his years of experience culminating in this pivotal moment. With meticulous care, he resurrected the lost techniques, breathing life back into the bamboo treasures. Each weave, each carved detail, was a testament to his unwavering dedication and the cultural significance of his craft.

He’s work not only restored physical artifacts but also rekindled interest in Dongyang Bamboo Weaving. His efforts have inspired a new generation of artisans eager to learn and preserve this unique heritage. Through his mastery, He has ensured that the delicate art of bamboo weaving remains a vibrant thread in the tapestry of China’s cultural legacy.

As He reflects on his life’s work, his eyes shine with the satisfaction of a craftsman whose art transcends time. “Bamboo weaving is not just a craft; it’s a dialogue between the material and the maker,” he says. “It’s my honor to contribute to its story.”

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